Vixen – 1969 – 71 minutes.

Amid the cultural chaos of 1968 and armed with a budget of only $70,000, producer/director/cinematographer Russ Meyer transcended sexploitation by crafting this “bosomacious melodrama” (Time Magazine) about racism, communism, bush pilots, draft dodgers and a ferociously free-spirited wife named Vixen (the incredible Erica Gavin of BEYOND THE VALLEY OF THE DOLLS and CAGED HEAT). Despite attempts at censorship that included one of the first-ever X ratings and 23 separate U.S. prosecutions for obscenity, it became one of the year’s top-grossing movies, forever transformed independent film and remains the creative template for Meyer’s unapologetic vision of American cinema. VIXEN is now scanned in 4K from the original negative restored by The Museum of Modern Art and curated by Severin Films in conjunction with The Russ Meyer Trust.

with:

SuperVixens – 1975 – 106 minutes.

Following the ‘serious’ features THE SEVEN MINUTES and BLACK SNAKE, this 1975 return to form written, photographed, edited, produced and directed by Russ Meyer remains perhaps his most over-the-top and savagely entertaining epic of all: When a hot-blooded wife (Shari Eubank) and a psychotic cop (a startling performance by Charles Napier of THE BLUES BROTHERS fame) come together, it will ignite a cross-country odyssey of violence, vengeance and relentless coitus. John Lazar (BEYOND THE VALLEY OF THE DOLLS), Uschi Digard (BENEATH THE VALLEY OF THE ULTRAVIXENS) and Haji (FASTER, PUSSYCAT! KILL! KILL!) co-star in Russ’ “super-sexy live-action Road Runner cartoon” (Empire), now restored by Severin Films in conjunction with The Russ Meyer Trust and scanned in 4K from the original negative stored at The Academy of Motion Picture Arts & Sciences.